Director Tod Browning-who had previously created the aforementioned and wildly successful Dracula-saw his career flounder at the hands of the controversy. Freaks (1932) is a good example of a movie that was so shocking at the time it got cut extensively, with the original version now nowhere to be found. Bella Lugosi (of Dracula fame) was arguably the first to specialize solely in the genre.Īnd as well as unnerving its viewers, the genre was starting to worry the general public at this point, with heavy censoring and public outcry becoming common with each release. The 30s also marked the first time that the word “horror” was used to describe the genre-previously, it was really just romance melodrama with a dark element-and it also saw the first horror “stars” being born. Once the silent era gave way to the technological process, we had a glut of incredible movies that paved the way for generations to come, particularly in the field of monster movies – think the second iteration of Frankenstein (1931), The Mummy (1932) and the first color adaptation of Dr. The latter title is one of Rotten Tomatoes’ best horror movies of all time and cements just about every surviving vampire cliché in the book. Caligari (1920) and Nosferatu (1922), the first movies to really make an attempt to unsettle their audience. On the silent side of the line, you’ve got monumental titles such as The Cabinet of Dr. Widely considered to be the finest era of the genre, the two decades between the 1920s and 30s saw many classics being produced and can be neatly divided down the middle to create a separation between the silent classics and the talkies. Hyde and The Werewolf (now both lost to the fog of time.) Things were starting to roll at this point as we moved into… The first adaptation of Frankenstein was released by Edison Studios in these early days, as well as Dr.
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Many filmmakers-most of whom still trying to find their feet with the new genre-turn to literature classics as source material. The Literary YearsĪfter the first horror movie, sometime between 19, an influx of supernatural-themed films followed.
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Where the genre will go over the next hundred years is anyone’s guess, but sometimes it’s good to look back on the long road we’ve traveled to get to this point. While not intended to be scary-more wondrous, as was Mellies’ MO-it was the first example of a film (only just rediscovered in 1977) to include the supernatural and set a precedent for what was to come. The three-minute film is complete with cauldrons, animated skeletons, ghosts, transforming bats, and, ultimately, an incarnation of the Devil. Just a few years after the first filmmakers emerged in the mid-1890s, Mellies created “Le Manoir du Diable,” sometimes known in English as “The Haunted Castle” or “ The House of the Devil,” in 1896, and it is widely believed to be the first horror movie. The history of horror as a film genre begins with-as with many things in cinema history-the works of George Mellies. Over the course of a century, film horror has gone through many peaks and troughs, leading us into the somewhat contentious period we find ourselves in today. Terrifying people through stories? It’s been a pastime of we humans since antiquity, with a large swathe of folklore centered around things that go bump in the night (particularly supernatural goings-on or anything related to-and exploiting-our innate fear of death.) With such a strong precedent in literature and oral history, it’s no surprise that the first horror movie was quick to get its feet under the table soon after the advent of cinema.